24 October 2008

Wishes

Project Blog It

A wish. A look to the future. Something more than a hope.

A wish is as often unrealistic as it is possible.

“I wish 5:00 would come.” “I wish I could fly.”

Whereas as a hope tends toward something that carries with it possibility.

“I hope it doesn’t rain.” “I hope she recovers quickly.”

Wishes are dreams, fantasies of a world we imagine. They are unlimited in their possibility and their impossibility, subject only to the limitations of our own imaginations.

“When you wish upon a star. . .” “Make a wish and blow.”

A wish, at best, marks a future possibility. At worst, it marks an impossibility free of time, existing now and always in its own inability to ever be realized.

I will never be able to fly without the aid of a mechanical device, and lots of money.

A wish is an escape from the here and now. Perhaps its benefit lies in its power to move us, if only in the moment it takes to construct the wish, from the place of our existence devoid of the object of the wish. It is idealism. It is the dream of something else, something better, something magical. It is the construction of a world, a situation, an experience as we wish it could be.

And though a wish is not a hope, the fact that we can make a wish indicates that we do have some hope for the future. And I think that’s a good thing.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: Fright.

17 October 2008

Migration

Project Blog It

The Monarch butterflies are in the midst of their migration to northern Mexico for the winter. There, they'll stay until springtime, when they lay eggs and die. Those eggs become the butterflies that migrate north again where they too will lay eggs and die, completing a cycle across generations.

I am fortunate to live in an area of the country that sits along the Monarch's autumn migration path. In fact, the Monarchs are attracted to the Cypress trees outside of my office window. And given that I'm on the second floor, I'm treated to an amazing daily show of hundreds of butterflies fluttering by and roosting in the trees. It's truly a stunning sight, and one that I never fail to appreciate.

The Monarchs, on their long annual journey, give me pause to consider migration, the movement from one place or mode of being that is somehow marked (whether by political boundaries, climate, personal sense of self, or something else) to another, differently marked space. I've migrated a few times in my life. Not always by choice, and not always the result of good choices.

I wonder what it would be like to live the simple and directed life of a Monarch. Floating on currents, instinctively pulled across continents and then back again. Somewhere along the way leaving one's legacy and then passing out of the cycle of migration for good. Do Monarchs understand their beauty? Do they know how they fascinate us? A bit of wind and color drifting past my window. They remind me of childhood summers in the northern Midwest, the beginning and the end of their journey. There, the Monarchs marked the long days of mid-year. The orange of their wings glowing in the warm summer sun. Now, here in the Southwest, their migration marks the migration of the year itself, its own end coming closer with shorter and shorter days.

This movement of butterflies, the migration of the Monarchs, for a brief moment, shifts me out of my own inertia and stagnation to migrate with them, if only for a few seconds, before settling again into the mode of being the defines me now.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: Five wishes for yourself; Five wishes for the world.

10 October 2008

Vote to Make a Difference

Project Blog It

I'm an idealist. I freely admit to being so. I do have faith in the American democratic process, and I proudly take part in it.

That said, I also freely admit that the American democratic process is flawed. Citizens don't vote. Large numbers of those who do vote do so blindly--in other words they pick candidates for reasons other than a thoughtful reflection on qualifications and position on the issues at hand.

I don't believe our process, or any process for that matter, can be perfect. Sure it can be better than it is now, but despite its flaws, it is a process that I embrace and take seriously. I proudly go to the polls on election day. When I vote, I actually do feel as if I am a part of something larger. I do feel civic pride and my own sense of patriotism.

I do believe that voting makes a difference, and I'm glad that voting is a legal, fundamental part of our system. But I also try to be realistic about it. It's all a matter of degree, like my comment about the American system being flawed and imperfect. Voting does make a difference, but it's usually a much smaller difference than we might hope for or expect. Politicians, especially those running for the highest offices, like to speak with soaring rhetoric about their great plans for our nation. In reality though, any plan will, almost necessarily, by subject to compromise. It's the way we all get things done, big and small. So voting, whether it be on the PTA or for President of the United States, does make a difference because we are voicing an opinion. And those opinions determine the kinds of policies and programs that we then debate, compromise on, and implement, often to only small degrees. But they still make a difference. The path to change is usually done in small steps, not larger leaps. And for me, at least for now, that's enough.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: Migration

03 October 2008

Burning Up, Burning Out

Project Blog It

He rises, tired, in the dark. Tired before he's even begun the long day of using up energy that is already running at a deficit.

The burden of life, work, and responsibility carried in his slow steps in the early morning, he pads about the dark knowing each step, finding what he needs, without light, having done it the day before, and the day before that, and the day before that.

There is something peaceful about the quiet, early, dark mornings. Moving about in the stillness, long before the rest of the world rises, he finds a sense of ease. At these all too brief moments, the peace and stillness of the morning finds its way to his soul. It is that peacefulness that enables him to draw forth the strength to begin fully the long day ahead.

He moves about his day, running here and there. He fulfills his responsibilities, those he's agreed to willingly and those placed upon him, with faithfulness and dedication. Those responsibilities fill the day as the sun rises, erasing the dark that began his day, until it hides once again returning the world to stillness.

He ends his day as he began it, in the dark. He falls into bed, tired. Tired from a long day begun too early, filled with too much work and responsibility. Tired from a tired that had never really left, but was only hidden. To rest for a few hours, only to rise, tired, in the dark, to begin another day.


Please check the blogs listed on the right for companion pieces to this week's prompt.


Next week's prompt: If voting really made a difference, it would be illegal.


27 September 2008

Love Is An Art

Project Blog It

"Love is an art you learn degree by degree." I Want a Long Time Daddy – Bea Foote

I'm not quite sure what to do with this week's prompt. I haven't been able to come up with a single unified idea to write about. Instead, I keep coming back to my training in literary analysis. I've deliberately not looked up the entire poem. (BTW, Road Trip Girl selected this week's prompt.) This single line reminds of what I consider to be one of the beautiful things about English (and in truth, likely any language). There's great richness to the language and word choice with multiple and sometimes diverse meanings. And as a person attracted to postmodern theory, I like that richness and multiplicity and like to keep those many possible meanings in play all of the time.

So, what is this love that we learn? Do we learn it bit-by-bit ("degree by degree"), or do we learn it by earning degrees in love ("degree by degree")? And what would it mean to earn a degree in love? Would a degree be an instance of the experience of love? Would multiple degrees in love imply multiple love relationships, or multiple ways of loving? What does it even mean to "learn" love when love is, or at least seems to be, something one feels and experiences?

These are the questions that this one isolated line raises in my mind. And the fact that there are no definite answers to any of these questions makes the line all that more appealing. Perhaps it's time to look at the rest of the poem and put the line in context.

On a side note, the author of this poem, Bea Foote, seems awfully close to Big Foot. Hmmm, Road Trip Girl (AKA Squatch), what's going on here?


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: Burning the candle at both ends.

23 September 2008

September

Project Blog It

Your position on the calendar
Marks the beginning of the end of the year,
The beginning of its perpetual death.
And yet, you too cycle through living and dying
To be reborn for another thirty days,
Marking death with your own birth.

The days shorten and the nights lengthen
We turn from summer reads at the beach
To the more intellectual matters of the academy.
The pace quickens in a rush towards death.
That short thirty days speeds past matching our pace,
Closing too abruptly with the first cold winds of winter.


Please check the blogs listed on the right for companion pieces to this week's prompt.


Next week's prompt: "Love is an art you learn degree by degree." I Want a Long Time Daddy – Bea Foote

12 September 2008

The Hour of Departure

Project Blog It

You left. You left in a moment. Not an hour, not a minute. It was a moment. A single, imperceptible moment. I held you and you were there, and then suddenly you had departed. That "hard cold hour" was not one of departing. It was not a process stretched out over sixty minutes. It was the empty space left by one who has already departed. And it's been much more than an hour.

Long ago, you had departed once before. It was a departure that I chose, and because of that, it was much easier to accept. But then you returned and I felt redeemed. My choice was a regrettable choice, but I believed then, or wanted to believe then, that it was the right choice. When you returned, I felt I was given a second chance. And I hoped, wished that your departing would never come forth again. Knowing all the time, that departure is fastened "to all timetables."

Departure is as much a part of arrival as history is a part of the future. We cannot have one without the other. It is the natural course of things. It is the right course of things. My welcoming of you always already carried within it my farewell. Then, the coming goodbye seemed so far away that I didn't need to think about it. Now it seems it came too fast.



Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: September

10 September 2008

In Mourning

Joy and pain are very natural parts of life. They are what makes us human. And they are perhaps the extremes of human emotion.

Right now I am on the pain side of the spectrum. Please see the memorial to my beloved Zimba over at Crash Course.

05 September 2008

Movement

Project Blog It


To move means to change. There is no stasis or stagnation in movement. It’s a moving forward and a moving beyond where one is at any given moment in time. Movement is a positive thing. It’s growth. It’s new thoughts and new things to see and do. And yet, movement can also bring pain. Change can be difficult emotionally. I often get anxious about change, fearing the unknown. But it’s also important. I fear even more becoming rigid. Without movement, the barriers get established and limits on one’s life are raised. And that is certainly something I don’t want.

All that being said, sometimes there is too much movement. Running helter skelter, here and there. Lives of stress, on the run, go go go. Such movement is not positive. On the contrary, it’s destructive, and meaningless. It’s counterproductive, setting one back rather than moving one forward into new being.

Movement in my life, unfortunately, tends to be more frequently of the latter type. One of my deepest hopes is that I’m able to distinquish the two, control the latter, and promote the former. I don’t think I’m very successful, at least not at the current moment.

It’s times like these when movement needs to slow or stop. One needs to be still both physically and mentally—slow oneself so that the world one occupies slows in response. The beauty of stopping movement in this way, at these times, is that the movement doesn’t really stop. The clarity and peace found in stepping off the train of chaotic movement allows one re-establish a productive flow of movement that benefits life.

Keep moving. Always. And seek the courage to neither be afraid of movement nor unwilling to free yourself from senseless motion.



Please check the blogs listed on the right for companion pieces to this week's prompt. Road Trip Girl is road tripping back to the blogosphere and should be posting again soon.

Next week’s prompt:
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
Pablo Neruda, "A Song of Despair"


29 August 2008

Certitude

Project Blog It

Freedom from doubt, especially in matters of faith or opinion; certainty.

In asking myself what I am certain of, I realized that the only true answer I can give is that there is very little of which I am certain. Certitude requires absolutes, and I’ve never been fond of absolutes. They pin you down, lock you in, and can limit you. I want freedom to be fluid in what I think, how I am, and what I believe.

And yet, certitude is one of those wiggly concepts, itself unpinnable. The minute I say I can’t be certain of anything, I realize there are in fact things that I am certain of. I’m certain that I love Thai food. I’m certain that I want to live in Europe at some point in my life. I’m certain that there’s value in being a decent human being. What I realize in making this list though, is that these certainties are time-specific. I am certain now that I love Thai food. I am not certain that I will always love Thai food. And so on.

So, if my certainty is time and context-specific, is it really certainty. Does certitude need to transcend any qualifiers to be certitude? I’m not sure.


Please check the blogs listed on the right for companion pieces to this week's prompt. Road Trip Girl will be posting late over the next couple of weeks as she is being true to her name and is currently on a road trip!

Next week’s prompt: movement

22 August 2008

The Function of Art

Project Blog It

The beauty of art is that it is, at once, both utterly functionless and completely filled with function.

Art is (perhaps) inessential to sustaining life. I don’t rely on it to feed, shelter, or protect me. But it does sustain the mind, the soul, and the heart.

Art is a reflection and a product of a context, a culture, and a history. And it’s a reflection that remains flexible. Art is able to shift and move among cultures, contexts, and histories while still remaining relevant.

Art’s function is to be that touchstone whereby the individual as well as the group sees itself reflected, finds a way to communicate ideas, concepts, feelings, experiences, and finds a way to challenge, honor, and comment on the very state of being.

Art is powerful and wonderful, and yes, even essential in its inessentiality.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week’s prompt: Certitude

15 August 2008

The Other Seven Dwarfs

Project Blog It

Surly views the world as the primary source of personal torment. Rather than “whistle while he works,” Surly, in a nod to his increasingly anti-social tendencies, wishes he could WFH (work from home) permanently—so long as the other dwarfs stay down in the mine.

Sassy’s joy in life is to throw his attitude around in a mildly biting, but amusing way. Rather than selling all of the diamonds he digs from the mine, he’d rather set them into shiny pretty things to wear and catch peoples’ eyes. He was much happier before Snow White showed up and got all of the attention.

Sleazy was never more happy than when Snow White came along. Living for so long with six short men put him on edge. He spends most of his time finding excuses for climbing ladders to clean ceiling fans and change light bulbs just so he can get high enough to peak down Snow White’s blouse.

Snarky finds Snow White annoying and useless. With the other dwarfs constantly mooning over her, nothing seems to get done. He wonders why Snow White can’t at least clean the cottage and cook dinner rather than sing and dance with wildlife all day.

Sarcastic likes to comment on the “shortcomings” of the other dwarfs. None have been successful in winning over Snow White. You know what they say about small hands and feet. And Sarcastic believes Snow White clearly knows too.

Snarly is generally pissed off. He can’t understand why seven men with an unlimited supply of diamonds have to live together in a woodland cottage and perform manual labor every day. His dream is to live a life of leisure aboard a yacht in the Mediterranean with Snow White all to himself.

Superior is the shortest of the dwarfs, and yet he can’t help but look down upon them all. Snow White may be beautiful and charming, but Superior knows he can do better.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week’s prompt: What’s the function of art?

08 August 2008

Strawberries

Project Blog It

When I was a kid, I often wondered if eating fruit seeds would cause fruit trees to grow in my belly and pop out of my nose, ears, and mouth. This wonder actually started out of fear after accidentally eating an apple seed. I was taught not to eat apple cores and seeds. I, being a naive child, believed that we weren't supposed to eat the seeds because doing so was somehow dangerous, rather than the true fact that apple seeds simply aren't appetizing. On the school playground, I inadvertently swallowed an apple seed and proceeded to enter a mild state of panic thinking I had done something wrong. My classmates warned me that an apple tree would now grow from my belly.

This wonder about eating fruit seeds eventually became a mildly amusing joke--eating the seeds of anything would incite some comment about foliage sprouting forth from ones innards. I am not unique in such humor. It seems that jokes about plant life growing from within the human body are a collective cultural experience, something parents, aunts, and uncles tease children about.

I still occasionally joke about trees and plants growing from my body. I often eat the seeds of fruits, partly because I kind of like them, and partly because I'm too lazy to pick them out, watermelon being the prime example. I love watermelon. I don't like seedless watermelons. And so I eat the watermelon seeds, only passing up those that fall from the melon on their own.

To be honest, I sort of like the idea of plants growing from my ears and nose. How convenient would that be? Simple reach around to the back of my head and pick a ripe apple. If I timed my fruit consumption right, I could harvest various fruit crops throughout the year. When my apple limbs were finished producing, I could pick cantaloupes from the vines growing out of my belly button, and so on. Although, admittedly, it might be difficult to carry around those heavy watermelons.

Ultimately though, I know that fruit trees and vines do not, sadly, grow from the human body. Cat bodies, however, are another story entirely. A few weeks ago, I fed my sleek black cat some strawberry ice cream. This wasn't strawberry-flavored ice cream. It was the full-fledged, all natural, real deal, with fresh strawberries and lots of strawberry seeds. Kitty loved it, lapping up every drop and cleaning the saucer. It wasn't too long after he ate the ice cream though, that I noticed a change. He seemed to swell a bit, and he rolled about as if someone was tickling him from the inside. Within a few hours, I saw thin whitish curls emerging from his ears. I thought he had worms, but those curls soon turned a deep shade of green and unfurled into leaves that matched the green of his eyes. By morning, strawberries had sprouted from the vines, now wrapped about his neck, belly, and tail. A giant strawberry hung from each ear like a set of earrings, and a whole cluster dangled from the tip of his tail. My cat, rather than finding this situation disturbing, seemed delighted. He merely had to turn his head slightly to take a bite of the luscious strawberries that decorated his ears. By the time he'd finished one, another had grown in his place.

I have to say, his shiny black coat, the bright red of the glistening berries, and the deep green of the vines that match his eyes made a beautiful portrait. He looked like the quintessential cat peeking out from the bushes. The only difference is that he was now also the bush.

Kitty continues to produce berries and eat them with gusto. It's actually made my job as a pet owner easier because I no longer have to put food out for him. But I gotta tell ya, it sure would be nice if he'd share.




Please check the blogs listed on the right for companion pieces to this week's prompt.



Next week's prompt: What are the names of the seven other dwarfs?


01 August 2008

Pure and Utter Nonsense

Project Blog It

Like Ivory, I can only, at best, achieve 99 44/100% pure and utter nonsense.

I am utterly incapable of fully freeing myself from what I believe to be an appropriate level of reserve. But there is that 66/100 of a percent that gives me hope that I can overcome my Puritanical tendencies and engage in unbounded absurdity now and then.


Why did the chicken cross the road?


By definition, there is no sense in careless silliness. Ludicrousness is consummately undiluted and uncorrupted.


The rain in Spain falls mainly on the plain.


I bought a cup of coffee for two dollars and no cents.

Me sense of smell is nearly nonexistent. My olfactory system, far from impeccable, has no sense.

I used to feed my dog Purina. It would have been unadulterated all-out preposterousness to feed him anything else.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: Strawberries

Seventeen Wrapped Up

Seventeen years ago we made a decision. A decision to try to build a life together. It's been a typical seventeen years: joy and happiness and love, coupled with struggle and pain and frustration.

It's been a life, a very typical life, shared.

Seventeen years ago we made a decision. It was the right decision.

Happy Anniversary Francois, and thank you for bringing magic to our lives.


25 July 2008

I Begin


"I, now thirty-seven years old in perfect health begin, Hoping to cease not till death."
Walt Whitman, "Song of Myself"


"Check it out, Check it in. Let me begin."
Lil' Nix, Off the Markov

"In the beginning. . . "
Genesis, Chapter 1


What does it mean, to me and to others, that I begin?

Now, this moment, this very moment, is a beginning, the perpetual possibility of a beginning. As we move forward, each second ticking away, we begin, and begin, and begin again, ever changing, ever new, ever refreshing.

And once begun, the beginning ends. It's a fleeting, ungraspable moment. Each beginning contains its own death and destruction, for once we have begun, we are no longer beginning.

What is perhaps the most interesting thing about beginning is the very decision to begin. The conscious thought that I must start. Whatever that starting is, the conscious "I" chooses to begin. It's a rich moment filled with total possibility and total promise. What will I begin? How will I begin?

Beginning is movement. It is change and advancement. It is dynamic. It is commitment and it is scary. It is also exhilarating and affirming. And, as Whitman says, let me begin again and again until my beginnings cease and I cease with them.


Please check the blogs listed on the right for companion pieces to this week's prompt.

Next week's prompt: Pure and Utter Nonsense


18 July 2008

Describe Your God

Project Blog It

"The silence of God is God."
Elie Wiesel

In moments of silence, moments of absolute peace, those rare moments when even the mind finds a place of stillness, he sometimes sensed that he could pass beyond the veil separating himself from god. In those moments, he felt he was close to the presence of god, perhaps as close as he could possibly get. Certainly as close as he had ever been.

He sometimes thought that god came to him in flashes—moments of personal perception when he recognized that unnamable presence in another, in an experience, in a feeling, in a thought, those moments when he’d sense the greatness of others, of times and experiences that touched his soul. Never two the same, never repeatable, yet always the same in and as god.

At one point, now it seems so long ago, he believed in a god of bibles and buildings, of prayers and practices. But he no longer believes in that god, in that kind of god. At times of doubt, he'd wonder when he lost his faith. At times of certainty and confidence, he believed he'd never lost his faith, but instead had transformed it, and been transformed by it.

God remained faceless, nameless, beyond the very nomenclature "god," for any attempt to define, describe, or pin down the term led down innumerable paths until he became lost. And yet, these twisting and turning paths, paths that defy retracing and mapping, would, at times, suddenly converge. But just as soon as they converged, just as soon as he thought he could reach out and find god, understand god, they would divide again into countless possibilities.

He wondered when god disappeared from bibles and buildings, prayers and practices. He wondered when he himself became god.



Please see companion pieces at:
Travel With Road Trip Girl
Crash Course
Fire Flower



Next week's prompt:
"I, now thirty-seven years old in perfect health begin, Hoping to cease not till death."
Walt Whitman, "Song of Myself"


10 July 2008

Bliss

Project Blog It


Bliss is subjective. It's a deeply personal experience. An experience of utter contentment, of happiness, perhaps even of joy in the very moment of the experience itself.

There is a time during the night, long after the world seems to have quieted down. It's a time of deep darkness and stillness.

Bliss comes to me at this time. It comes when I wake during that deep darkness, in a moment of disorientation. It comes in that magic moment when I think I only have a few more minutes to rest before rising to start the day, and then glancing at the clock and realizing that there are a couple of hours left before the world around rises and expects me to do the same. It is that instant when, quite naturally, I roll to the other side of the bed, find my partner, and nestle like two spoons. It is in that moment, cuddled with my partner, that I feel safe. It is in that moment that I experience pure contentment. It is in that moment that I am free from the rest of the world, free from the needs and wants of others, free from the needs and wants of myself, free from my very self. In that moment, I am wholly present. In that moment, in the dark and silence of night, I find bliss.



Please visit the companion piece over at Travel With Road Trip Girl. In addition, Skajlab has written a piece on this week's topic at Crash Course, Daisy has over at Fire Flower, and Minerva has at Vox Minerva.


Next week's prompt: describe your god



04 July 2008

The Politics of Writing. The Politics of Oooh Feeling Good

We got the message
I heard it on the airwaves
The politicians
Are now "writers?"

With apologies to Paul Fishman and Re-Flex


What exactly constitutes the “politics of writing?” Sadly, long ago and far away, I wrote often about politics. But not the kind of politics currently in public conversation—US national politics about governing, domestic and foreign policy, and party differences as we head into this year’s major national election. Instead, I wrote about social, cultural, and philosophical politics: identity politics and the politics of identity, race politics and the politics of race, gender politics and the politics of gender, sexual politics and the politics of sexuality. Mind you, the elements in each of these binary pairings are not necessarily the same thing.

But what is the politics of writing? One can certainly write to be political, that is to engage in a politicized discourse about something. But such acts don't necessarily define the politics of writing. I am writing now. But what does that act mean? I am attempting to convey a set of thoughts via the written word to be read, at least by me. But it is not merely the attempt at conveying thoughts, because in that conveyance, I control the words and phrasing to convey those thoughts. Any writing is written for an audience, even if that audience is only the writer. I write in a particular way. I control my words and phrases, my very thoughts, with at least some understanding of who is to witness them. In this case, I write for an audience both known and unknown. Will that audience agree with me? Will it understand me? Do I care?

We expose ourselves via writing. But that exposure is always mediated by the conscious acts of the author and the context in which something gets written. I embrace the various levels of control at that same time that I attempt to freely open and present myself to the world. Ultimately, perhaps, the politics of writing, the politics of this writing, are the politics of self.


Please be sure to see the companion piece over at Travel With Road Trip Girl.

Next week's prompt: Bliss


01 July 2008

Project Blog It

Road Trip Girl and I have begun a project in an attempt to get us out of the ruts that our lives have become. We're both creative, intelligent people (at least I like to think so, and I believe Road Trip Girl would agree). However, we both work highly demanding, stressful jobs, and we both have personalities that lead us to give those jobs all we have. The result is a huge personal cost. We've not made time for the things we truly love and for the things that have meaning for us.

In an attempt to move us back to a place of balance, and to try to jump start better introspection, thinking, and perhaps most importantly, creativity, Road Trip Girl and I have started Project Blog It. The rules are fairly simple. Every Friday we each make a post on our respective blogs: Travel With Road Trip Girl, and Shmonkey's Jungle. The posting is based on a prompt assigned by one of us in the week before posting day. There are really no other rules. Road Trip Girl and I can discuss our writing or not. We can brainstorm together or not. We can critique one another's writing or not. The point is to always post something on Friday, and to create a mutually supportive and encouraging situation that fosters the development of our individual writing skills.

Looking forward into the future from my position in the present, I think our weekly writings will be very diverse; sometimes creative fiction, sometimes creative non-fiction, sometimes personal, sometimes philosophical, sometimes academic, and all of the other possibilities in between. As long as we write and push beyond the narrow frames that have been imposed upon our lives and our minds by our environment.

We welcome you to stop by every Friday. Read both Travel With Road Trip Girl and Shmonkey's Jungle. See how each of us tackles a topic differently. Engage us by commenting, please. Consider joining our project by picking up the weekly prompt and making your own posting on Fridays.